Ne plus ultra Ne plus ultra

When LaCieca asked me to choose my favorite live recording, I had to think… and think.

A ‘Ring’ for the rest of us A ‘Ring’ for the rest of us

I was once accused—by my own mother, mind you!—of having too many recordings of Verdi’s Aida.  The blistering audacity of that recrimination did get me to thinking: How many recordings of Aida is too many? I mean, you’ve got the old classic you cut your teeth on. Then there’s he one where the tenor and…

No limits No limits

The scene: a vocal audition, sometime in the past. A young, blond soprano approaches the podium. Her aria: “Un bel di.” She sings. Before she gets to the second “Chi sara” she’s rudely interrupted.

The music lovers The music lovers

The curious things about accepted wisdom is that sometimes it’s correct.

Belief in a higher power Belief in a higher power

The behavioral phenomenon of limerence has been described as “an involuntary potentially inspiring state of adoration and attachment to a limerent object involving intrusive and obsessive thoughts, feelings and behaviors from euphoria to despair, contingent on perceived emotional reciprocation.”

Thrace off Thrace off

Nearly 30 years after a Handel opera last played there, Carnegie Hall presented The English Concert opening a three-year opera-oratorio project on Sunday afternoon with Radamisto.

Unchained melody

When a new production of Fidelio premiered at the Met in 1960, the opera had been absent from the repertoire since 1951, the post-war return of Kirsten Flagstad as a still effective Leonore and led by Bruno Walter. In the period between the two productions a new generation of singers had begun to make their…

Le déjeuner sans l’herb

Five decades before the Met turned to computer-assisted planks to help tell the story of Wagner’s Ring cycle,  the company stirred controversy and comment with another staging of the tetralogy. General Manager Rudolf Bing imported a stark, abstract production from the Salzburg Festival in order to secure the services of Herbert von Karajan, who not…

Frankly no worse than Measha

This live CD of Wagner orchestral excerpts and the Wesendonck Lieder is noteworthy for the conducting of Franz Welser-Most and the truly remarkable playing of The Cleveland Orchestra. I have seldom heard an ensemble sound so beautiful on CD. The strings shimmer like satin, the reeds are clean and clear, the brass warm and burnished with…