Tabor-ing under no illusions
A grandly sung revival of The Ballad of Baby Doe at Central City Opera mines poignance from America’s past and present.
6 pieces since 2014.
A grandly sung revival of The Ballad of Baby Doe at Central City Opera mines poignance from America’s past and present.
The nail-biting adventures of Voltaire’s titular hero Candide are hardly more circuitous than those faced by Leonard Bernstein’s 1956 Broadway musical adaptation.
Some operas carry around the shadow of their most famous interpreters more than others.
The cultiest of cult musicals, an All-American take on the Iliad and the Odyssey, the spectacularly witty Golden Apple of John Latouche (words) and Jerome Moross (music), opened Off Broadway in 1953 to some acclaim.
Douglas Moore’s score for The Ballad of Baby Doe has everything that could please and little that could offend.
Our own Jungfer Marianne Leitmetzerin goes all-American with a performance of The Ballad of Baby Doe starring Ruth Ann Swenson, James Morris and Judith Forst.
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