A game of hoarse
Baltimore Symphony Orchestra’s concert Rigoletto hits some vocal turbulence
23 pieces since 2015 — in 11 roles, at 11 companies, most often at Metropolitan Opera.
4 pieces as Maddalena — stats above show all coverage for J'Nai Bridges.
View allBaltimore Symphony Orchestra’s concert Rigoletto hits some vocal turbulence
Adela Zaharia and Amartuvshin Enkhbat shine brightly in San Francisco Opera’s opening night Rigoletto.
The Richard Tucker Foundation Gala has always been a big annual celebration of the voice with an emphasis on big-voiced singers in big repertoire (not much Wagner usually, though…). Like so many reliable operatic institutions it has struggled for survival after the pandemic.
Rigoletto is the perfect opera. The story is straightforward and powerful; none of the action occurs backstage or between scenes or twenty-seven years before curtain rise; and the ethical anvil lands not once but twice, on the title character singing, “La maledizione!” The curse!
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.