The René Jacobs <em>Giulio Cesare</em> is so overrated The René Jacobs <em>Giulio Cesare</em> is so overrated

George Frideric Handel (born 341 years ago on Monday) composed over 40 operas including many masterpieces, but his Giulio Cesare is the one that everyone knows best.

All dolled up All dolled up

When my editor suggested to me a round-up of my favorite recordings of Jacques Offenbach’s Les Contes d’Hoffmann I was très, très, intrigued.

Come, young waverers Come, young waverers

Too young to be in love. But not too young to go to war or to die.

Rondo and rondo and rondo we go Rondo and rondo and rondo we go

A convocation of mezzos–and a pride of tenors–produce hundreds of sixteenth notes in a bewitching Rossini showpiece

Good grief Good grief

There are no words superlative enough to describe this celebration of Orpheus’ grief, and I truly applaud San Francisco Opera for presenting such food for thought that will definitely resonate long after with me.

The Lady Eve The Lady Eve

For nearly 70 years, New York City was the world capital of concert opera thanks first to the American Opera Society, then to Eve Queler’s Opera Orchestra of New York.

One Moore night One Moore night

While the Met reruns over-familiar HDs, Trove Thursday offers a Puccini rarity: Edgar, the composer’s second opera, starring Latonia Moore and Marcello Giordani.

Summer of the mezzo Summer of the mezzo

August on “Trove Thursday” begins with Midsummer Mezzo Madness featuring a sterling quartet of lower-voiced ladies

Bell de jour Bell de jour

Next week the Italian soprano Mariella Devia celebrates her 70th birthday so “Trove Thursday” salutes her with one of her earliest New York successes: Delibes’s Lakmé 

Less than hero Less than hero

Iestyn Davies’s theatrical blandness combined with his vocal unsuitability for the role left a hole at the center of Rinaldo.

Slash by night Slash by night

Enthusiasts of Janácek’s opera will want to pick up this video immediately.

Something extramarital Something extramarital

Saturday evening conductor Will Crutchfield revived Donizetti’s La Favorite—unheard in New York for fifteen years.

Cid; vicious Cid; vicious

In his first appearance on the stage of Paris’ Palais Garnier, Roberto Alagna, as the newly knighted Rodrigue, was confronted with a profound dilemma.

Females on the beach Females on the beach

Karita Mattila is a gift to this planet.

Eschorcher Eschorcher

Giuseppe and I have always had a complicated relationship.

Pyramid scheme Pyramid scheme

Giulio Cesare at the Met proved an evening that added up to much more than the sum of its uneven parts.

Virgin territory Virgin territory

The chicken or the egg?

Loy meets girl

Christof Loy’s highly controversial 2009 production of Berg’s Lulu for The Royal Opera House has been released on DVD (Opus Arte), with beautifully realized film direction by Robin Lough. Antonio Pappano and the Orchestra of The Royal Opera House lead an extraordinary cast of singing actors in plumbing the musical and psychological depths of this…

Farce majeure

Halfway through the overture to L’italiana in Algeri a pin-up cartoon of our Isabella, Jennifer Larmore, slowly slides up and down a pole, setting the tone for the whole opera. Cartoonish is indeed the first adjective that springs to my mind when trying to describe this 1998 production of Rossini’s opera buffa from the Opéra…

“They certainly spared every expense!”

I have to confess that I overheard that line during the intermission of the Met’s new production of Amboise Thomas’s seldom-performed Hamlet based on Shakespeare’s oft-performed play. I couldn’t have said it better myself. 

Girl of the moment

It took the Metropolitan Opera decades to catch up with the rest of the world and finally stage La Cenerentola. Gioachino Rossini’s opera buffa, one of his most beloved and accomplished works, received its belated Met debut in 1997, amidst legitimate suspicions that the new production was less a genuine desire to add a belcanto…

The muse as mezzo

Joyce Di Donato‘s latest release is a CD entirely devoted to music Rossini composed for his first wife, Isabella Colbran, one of the most celebrated divas of the early 19th century.