The devil’s eye candy
There are shows with iconic characters, and there are shows with iconic characters playing iconic characters.
5 pieces since 2013 — in 4 roles, at 3 companies, most often at Metropolitan Opera.
There are shows with iconic characters, and there are shows with iconic characters playing iconic characters.
Giuseppe and I have always had a complicated relationship.
The simple fable at the heart of Die Frau ohne Schatten shouldn’t be difficult to parse, but Hugo von Hofmannsthal’s libretto juggles its vaguely Jungian, vaguely Arabian Nights symbolitry as if with intent to mystify and bewilder.
On Site Opera’s Turn of the Screw, an immersive production set in the Bronx’s Wave Hill Gardens, featured mostly good singing and a few directorial and technological missteps.
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