Meticulously shaped, beautifully tinted
Stefan Vinke brings to Tristan an indefatigable heldentenor of sturdy, muscular brilliance and a physical intensity that allowed him to fearlessly traverse this complex character’s broad emotional compass.
14 pieces since 2007 — in 5 roles, at 3 companies, most often at Metropolitan Opera.
Stefan Vinke brings to Tristan an indefatigable heldentenor of sturdy, muscular brilliance and a physical intensity that allowed him to fearlessly traverse this complex character’s broad emotional compass.
Now we have considered the three “winners” in the Tristan competition, let’s turn to the also-rans, or, to be more optimistic, the runners up.
With help from the Met’s invaluable performance archive, here is a look back at just some of what you could have seen, and perhaps did see, on October 31st through the years at the Met.
La Cieca was just wondering about something yesterday on opera-l, and doggone if Anne Midgette wasn’t wondering about the same thing today in the New York Times. (That woman haunts my dreams, I tell you. It’s like she’s inside my head. Now, where was I? Oh, yes…) The point that dear Anne and I (among […]
On Thursday night, July 29th, I attended the Colorado Music Festival’s concert entitled “Epic Opera”. The program as advertised on the CMF website was to feature the Prelude and Liebestod from Tristan und Isolde with soprano Jane Eaglen, followed by Lorin Maazel‘s suite “The Ring Without Words”. Unbeknownst to me, or presumably anyone else until […]
In the lead up to LA Opera’s mounting of Turandot on May 18th (hooray!) I thought I’d touch on some of my favorite recordings and new re-masters I’ve discovered. I have them all.
With much laying-on of fanfares and gift boxes our friends at Decca Classics have unleashed Luciano Pavarotti Edition 1: The First Decade on a weary and satiated public.
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