Resisting the recognizable
It was Matthew Jocelyn’s libretto, with its disorientingly deconstructive approach to its source text, that gave Brett Dean’s Hamlet its identity.
Jacques Imbrailo
9 pieces since 2011 — in 4 roles, at 6 companies, most often at Glyndebourne.
9
pieces
4
roles
6
companies
16
years
1 piece as Metropolitan Opera — stats above show all coverage for Jacques Imbrailo.
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I’ll take the fall
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).