Kevin Ng sits down with PEN/Faulkner Award-winning novelist and critic Garth Greenwell to talk about sex, queerness, and the “promise of opera.”
Le nozze di Figaro in Santa Fe is a light and kindly revival while The Turn of the Screw is crisp and atmospheric
According to the memoirs of Alma Mahler, her third husband, Franz Werfel used to wander around the cafés of Paris with one of his chums, singing arias from obscure Verdi operas at the top of their lungs until the management would ask them to move on.
In any narrative, the unmentioned—the unmentionable—will always be more alarming than that which is carefully described.
Frustrated, perhaps, by the bulky requirements and dubious future of grand opera—and grand opera commissions—Benjamin Britten created some of his most intriguing and, nowadays, popular pieces for small casts and chamber orchestra.
Necrophiliac pedophilia? Or a slow descent into madness? What really happened at Bly? After listening to Glyndebourne’s 2007 Production of Benjamin Britten’s The Turn of the Screw, released in a live recording under the festival’s own label, one is still left in the dark as to what really transpired at that English estate. Perhaps this…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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