Due to a small hiccup in scheduling at Casa della Cieca, this week you get two uploads!
In her debut solo album, Jamie Barton surrounds Gustav Mahler’s staples of the song repertoire, Rückert Lieder, with the less familiar Gypsy Songs of Antonin Dvorák and select songs by Jean Sibelius.
strong>Christian Gerhaher does not appear at first to sing but rather to speak on pitches, telling stories, explaining words by lingering on them or biting them off short.
“Disciplined and intelligent.”
With orchestral and choral forces that could outnumber a small European village, Arnold Schoenberg’s Gurre-Lieder is a composition designed to overwhelm.
Short answer: yes. But let’s begin by dismissing the a blatant canard. One thing that the Metropolitan Opera does not need to do is to scale back the number of performances in a season.
The centennial observances of Gustav Mahler’s death have not turned up a surfeit of newly discovered performances, probably because his symphonies and song cycles have long been a calling card for serious artists and record labels. Though the industry archives may be picked clean, the estates of dead musicians are at least starting to kick…
In the process of unearthing forgotten musical works, sometimes we stumble across a gem. World War II saw an entire generation of European composers forced into internment or diaspora, and their works are only slowly being rescued from obscurity. In a recent DVD release from the LA Opera, a part their Recovered Voices series, we…
Austrian mezzo Angelika Kirchschlager left an incomplete impression as a Lieder singer Sunday night, in a quirky recital program of Brahms, Wolf, Mahler and Reynaldo Hahn, with pianist Warren Jones. Suffering from a cough and swallowing some words, Ms. Kirchschlager succeeded more in gesture than details. Breezing through Brahms’ songs “Meine liebe ist grün,” “Über die Heide,” and “Salome,” faux-naïve songs…
“Voglio essere giudicato per la musica e nient’altro che per la musica.” “I want to be judged for my music and nothing but my music.” This phrase, which Mascagni himself wrote to his publisher Sonzogno, is the key to understanding the very essence and existence of L’amico Fritz (1891). Cavalleria rusticana, Mascagni’s first performed opera,…
With the new year always come new year’s resolutions, and La Cieca thinks that this year her resolution will be to stop making snap judgments. La Cieca hopes you understand that she only got into the habit of making all those snap judgments because she is right almost all of the time. But now and…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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