Unnecessary performance problems Unnecessary performance problems

Patrick Mack on the iconic Ethan Mordden‘s career and his first book on opera in 30 years – and it appears that time has mostly stopped in the Mordden manse.

When the moon hits your eye When the moon hits your eye

On this day in 1965 soprano Mirella Freni and tenor Gianni Raimondi made their Metropolitan Opera debuts in La bohème

Son io il poeta, essa la poesia Son io il poeta, essa la poesia

On this day in 1965 soprano Mirella Freni and tenor Gianni Raimondi made their Metropolitan Opera debuts in La bohème.

A real vibrancy A real vibrancy

Your favorite box set-aholic here completely missed the release last August of Giuseppe Di Stefano – Complete Decca Recordings in honor of the great tenor’s centenary.

Mad and madder Mad and madder

With La Scala’s plan to open on December 7 with a new Lucia di Lammermoor thwarted, Trove Thursday sets its Wayback Machine to nearly 50 years ago to present two of the 20th century’s greatest madwomen—Joan Sutherland and Beverly Sills—denounced by Plàcido Domingo and Alfredo Kraus respectively, with the former pair consoled by Kurt Moll‘s luxurious Raimundo.

Multiple Mascagni Multiple Mascagni

Cavalleria Rusticana began Pietro Mascagni’s career with a bang, and despite a number of fine subsequent works the composer never again achieved the same lasting success that he had with his first.

Ecco un artista! Ecco un artista!

Just discovered: a Swedish documentary about Birgit Nilsson.

Bows and arias Bows and arias

Whenever opera-lovers are canvassed about what neglected operas they hunger to see revived, the resulting lists inevitably feature a goodly number of grand operas, those once wildly popular monstrosities–particularly by Meyerbeer–written primarily for Paris in the mid-19th century.

Crowning glory Crowning glory

To imagine that I have anything new to say about Maria Callas’ 1957 performance of Anna Bolena at La Scala is sheer pomposity.

Stairway to paradise Stairway to paradise

We approach, beloveds, as unto a shrine, for these are no ordinary performances.

Cherry picking

“Voglio essere giudicato per la musica e nient’altro che per la musica.” “I want to be judged for my music and nothing but my music.” This phrase, which Mascagni himself wrote to his publisher Sonzogno, is the key to understanding the very essence and existence of L’amico Fritz (1891). Cavalleria rusticana, Mascagni’s first performed opera,…

Podcasta Diva: the finale

At long last, the final act of Bellini’s sublime bel canto masterpiece Norma, with Montserrat Caballe, Gianni Raimondi and Ivo Vinco. A 1974 performance from Moscow, Francesco Mollinari-Pradelli conducting. Plus: a new, user-friendlier web player! Unnatural Acts of Opera

Podcasta Diva

Did you know Unnatural Acts of Opera is the only all-opera podcast in the whole, uh, podosphere? Even better, this podcast features only live opera performances, preferably demented. Our opera this time is both live and demented, with even a soupcon of backstage drama to add an extra frisson. La Cieca presents the first act…