Stairway to paradise
We approach, beloveds, as unto a shrine, for these are no ordinary performances.
13 pieces since 2005 — in 7 roles, at 3 companies, most often at La Scala.
We approach, beloveds, as unto a shrine, for these are no ordinary performances.
Just discovered: a Swedish documentary about Birgit Nilsson.
With La Scala’s plan to open on December 7 with a new Lucia di Lammermoor thwarted, Trove Thursday sets its Wayback Machine to nearly 50 years ago to present two of the 20th century’s greatest madwomen—Joan Sutherland and Beverly Sills—denounced by Plàcido Domingo and Alfredo Kraus respectively, with the former pair consoled by Kurt Moll‘s luxurious Raimundo.
Cavalleria Rusticana began Pietro Mascagni’s career with a bang, and despite a number of fine subsequent works the composer never again achieved the same lasting success that he had with his first.
“Voglio essere giudicato per la musica e nient’altro che per la musica.” “I want to be judged for my music and nothing but my music.” This phrase, which Mascagni himself wrote to his publisher Sonzogno, is the key to understanding the very essence and existence of L’amico Fritz (1891). Cavalleria rusticana, Mascagni’s first performed opera, […]
Did you know Unnatural Acts of Opera is the only all-opera podcast in the whole, uh, podosphere? Even better, this podcast features only live opera performances, preferably demented. Our opera this time is both live and demented, with even a soupcon of backstage drama to add an extra frisson. La Cieca presents the first act […]
To imagine that I have anything new to say about Maria Callas’ 1957 performance of Anna Bolena at La Scala is sheer pomposity.
On this day in 1965 soprano Mirella Freni and tenor Gianni Raimondi made their Metropolitan Opera debuts in La bohème
On this day in 1965 soprano Mirella Freni and tenor Gianni Raimondi made their Metropolitan Opera debuts in La bohème.
Your favorite box set-aholic here completely missed the release last August of Giuseppe Di Stefano – Complete Decca Recordings in honor of the great tenor’s centenary.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.