Scarcity mindset
Michael Thalmeier‘s Tristan und Isolde in Berlin asks, how much minimalism is too much minimalism?
23 pieces since 2011 — in 12 roles, at 12 companies, most often at Bayreuth Festival.
4 pieces as King Marke — stats above show all coverage for Georg Zeppenfeld.
View allMichael Thalmeier‘s Tristan und Isolde in Berlin asks, how much minimalism is too much minimalism?
Christine Goerke‘s distracted, tentative Isolde turned out to be the least potent feature of what was an otherwise exciting and effective second act of Tristan.
Now we have considered the three “winners” in the Tristan competition, let’s turn to the also-rans, or, to be more optimistic, the runners up.
The finer performances of Tristan und Isolde have a way of sounding like a four-hour improvisation, the fruit of a single moment of inspiration that makes one forget how emotionally manipulative and painstakingly crafted the music really is.
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