November in New York hosts two premieres dedicated to mythology’s greatest musician, which prompts Trove Thursday to present a vintage Monteverdi L’Orfeo with Judith Raskin and Gérard Souzay conducted by Leopold Stokowski (!) and a recent HIP London broadcast of Luigi Rossi’s L’Orfeo.
Simone Mayr’s Medea in Corinto, a curious work of 1813, has been revived by Will Crutchfield’s new enterprise, Teatro Nuovo.
“Trove Thursday” offfers Joseph Martin Kraus’s superb Aeneas i Cartago, eller Dido och Aeneas—in Swedish!—starring a luminous Elisabeth Söderström as the doomed Queen.
One of the greats of classical music, Franz Joseph Haydn was a bit of an “also-ran” as an opera composer.
I had a panic attack, that’s how moved you made me.
“Trove Thursday” provides a live broadcast of Mozart’s rarely performed cantata Davide Penitente by Les Arts Florissants conducted by William Christie.
Trove Thursday looks forward to spring via Haydn’s beguiling oratorio Die Jahreszeiten (The Seasons) in a splendid rendition from the 1981 Salzburg Festival with Ileana Cotrubas, Francisco Araiza and José van Dam, James Levine conducting.
Sir Arthur Sullivan, the son of an Irish father and an Italian mother, studied Mendelssohn’s composition style in Leipzig. He was therefore, inevitably, the supreme English theater composer of his day, and his often Mozartean style of melody is not out of place in a bel canto festival. After all, in the fourteen operettas he…
I really haven’t paid much attention to “opera regie,” so I can’t give you a firm definition of it. A while ago, a pithy and biting piece called “How to Opera Germanly” made the internet rounds, and it serves as a handy guide for we who are un- or under-initiated. This production of Haydn’s Orlando…
“In space, no one can hear you scream — but in a planetarium, everyone can hear you sing.” Our Own JJ (not pictured) reviews Haydn’s Il mondo della luna. [NYP]
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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