Although Kim Stanley’s big-screen appearances were rare—four major film roles, plus the uncredited narration in To Kill a Mockingbird—she was the leading lady of television drama’s “Golden Age.”
In I Can’t Imagine Tomorrow, we’re contending with Kim Stanley and the last gasp of the Method.
What we see here from Strasberg is frustratingly literal and drably conventional—it looks to me like he’s channeling a lot of received wisdom about how Chekhov should be staged and bringing almost nothing of his own to the process.
One of the glorious perks of my job, which is selling luxury cruises, is that on a semi-occasional basis I get to sample the wares myself—purely from an educational standpoint, mind you.
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