Mark, missed
Thoughtless direction stifled the epic drama.
Fabio Luisi
39 pieces since 2010 — at 9 companies, most often at Metropolitan Opera.
39
pieces
9
companies
17
years
15 pieces as Metropolitan Opera — stats above show all coverage for Fabio Luisi.
View all
Winter afternoon’s dream
It took the better part of a decade—including two high-profile cancelations—or New York to finally hear Anna Netrebko in recital.
Wrecking ball
Sir Richard Eyre’s new Manon Lescaut at the Met Friday night demonstrated no particular aptitude for opera.
For the birds
A “lone voice in the wilderness” booed Barbara Frittoli’s calamitous Nedda.
The year in Corwin
New York City isn’t a bad place to live, operatically-speaking.
Hysterical blondeness
Wednesday brought the Met’s “real” season opener, an indelible, indispensable night at the opera: a starry revival of Verdi’s Macbeth crowned by Anna Netrebko’s demented Lady.
Goodness had everything to do with it
The Met stage was filled with considerable magic Monday night when its dizzily effervescent revival of La Cenerentola starring Joyce DiDonato and Javier Camarena stirred a bewitched audience to some of the most ecstatic ovations heard this season.
No place like Rome
Love grand opera but wary of a six o’clock curtain with five hours of music behind it? (And nothing is grander than Berlioz’s Les Troyens, eh?) Your dilemma has been solved. Show up at the Met at 7:30 or 8:00, whenever they have the first intermission.
The man in the ironic mask
The realization of the opera Un ballo in maschera by Verdi and the librettist Antonio Somma is almost as famous as the opera itself.
Def Man Glance
Since 2010 I’ve been reading nothing but horror being heaped upon the Met’s new Ring. It’s been like a cross between a cruise ship size buffet spread of internet snarking and a slasher film re-cast with music critics.
Red dress diaries
La Cieca has just received a complete report from her spy at today’s open dress rehearsal of La traviata at the Met.
The Ironic Lady
Another grim narrative of the Gelb years, and one I think is generally hogwash, is that the Met has (at least in theatrical terms) lost its way entirely.
Quantum of Naxos
La Cieca’s spy reports from the Met: “A promising and delightful final dress of Ariadne yesterday.”
Retirement of a thousand cuts continues
This just in from the Met press office: “On the advice of his doctors, James Levine will reduce his conducting dates at the Met for the rest of the current season while he continues to recover from recent procedures to alleviate back pain. His planned performances of Das Rheingold on March 30 and April 2 will […]
Three for the show
Luc Bondy’s Tosca returned to the Met on Wednesday night with an entirely new set of principals and conductor. The new trio of principal singers, all making local role debuts, could not redirect and redesign the production but they could allow their individual talents to outshine their surroundings.