Down for the Count
An uneven new cast can’t dim the glow of Richard Eyre‘s incisive Le nozze di Figaro at the Met
Emily D'Angelo
14 pieces since 2016 — in 8 roles, at 3 companies, most often at Metropolitan Opera.
14
pieces
8
roles
3
companies
11
years
By role
7 pieces as Metropolitan Opera — stats above show all coverage for Emily D'Angelo.
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After midnight
The Met’s Cinderella is a charming adaptation of Massenet’s opera. Frothy, fun, and enchanting, it is a magical holiday treat for the whole family to enjoy.
Every little thing she does is magic
A good time seemed to be had by all though I don’t recall seeing a single child in attendance.
Star-crossed
For more than 40 years, the magnificent opening image from Francis Poulenc’s Dialogues des Carmélites has served as an icon for the Met.
Why so seria?
At the Metropolitan Opera on Saturday night, Mozart’s opera never sounded fresher, a superstar cast shining new light on one of the composer’s all-too-seldom-performed scores.
Just add magic
Heretofore I’d avoided the Met’s abridged, English-language holiday presentations.
Must the finals come so soon?
Without fail, all nine finalists had nice clear ringing voices. Whether they develop into great artists is another question.