The end is the beginning of the end The end is the beginning of the end

At the Metropolitan Opera’s Götterdämmerung on Saturday afternoon, the fires which consumed the Gods burned lukewarm.

Get in the ‘Ring’ Get in the ‘Ring’

Wagner’s Ring is an artistic masterpiece that is peerless in its ability to continually reveal layers of musical, theatrical, and philosophical insight

Salvation for the savior Salvation for the savior

Kaufmann conveys Lohengrin’s immense loneliness in a profoundly moving way. I am happy to report that vocally he sounds completely recovered.

Brass ring Brass ring

Marek Janowski’s survey of Wagner operas on PentaTone so convincingly captures the pulse and dramatic flow of many of the works that the music-making at times sounds almost effortless.

Entry of the God into Valhalla

A new CD set of Der Ring des Nibelungen, recorded live at the Bayreuth Festival in 2008, is slim on superstar casting, but basks in the reflected glory of conductor Christian Thielemann, a controversial artist with a passionate following. So how does the music measure up?