Tabor-ing under no illusions
A grandly sung revival of The Ballad of Baby Doe at Central City Opera mines poignance from America’s past and present.
7 pieces since 2014.
A grandly sung revival of The Ballad of Baby Doe at Central City Opera mines poignance from America’s past and present.
Baritone Quinn Kelsey’s recital of English-language art songs in partnership with pianist Craig Ketter was a worthy celebration of Vocal Arts DC’s 35th-anniversary season.
Some operas carry around the shadow of their most famous interpreters more than others.
Anna Netrebko sang throughout with a palpable sense of joy and ease in vocal production, never a hint of strain or any moment forced.
In the seventies and eighties Dominick Argento (who turned ninety this year) was one of the most oft-performed of American opera composers.
Douglas Moore’s score for The Ballad of Baby Doe has everything that could please and little that could offend.
Our own Jungfer Marianne Leitmetzerin goes all-American with a performance of The Ballad of Baby Doe starring Ruth Ann Swenson, James Morris and Judith Forst.
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