This is what trauma looks like This is what trauma looks like

Valentin Schwarz‘s and Simone Young‘s Ring, in its final outing at Bayreuth, is dramaturgically messy and musically excellent.

Once more with feeling Once more with feeling

We humans tend to dislike uncertainty, therefore there is something comforting going to opera revivals; you know exactly what you are going to get. 

To each word a warbling note To each word a warbling note

“What fools these mortals be!” 

Coming out Coming out

Christian Thielemann’s spirited, precise conducting and the superb, sumptuous playing of the Staatskapelle Dresden are the finest features of this strongly cast performance of Strauss’s Arabella.

Wouldn’t it be funny if that was Vivaldi? Wouldn’t it be funny if that was Vivaldi?

“I’ve lived with mendacity!—Why can’t you live with it? Hell, you got to live with it, there’s nothing else to live with except mendacity, is there?”

Veni, vidi, Vinci! Veni, vidi, Vinci!

Not only cursed to bear a name nearly identical to that of one of the greatest geniuses who ever lived, Leonardo Vinci also had the misfortune to die just three months after the premiere of his greatest opera, reportedly murdered with a cup of poisoned chocolate at the age of 36.

Virgin territory Virgin territory

The chicken or the egg?