Now and at the hour of our death
This evening of Julius Eastman at Lincoln Center was so good it hurt
5 pieces since 2017 — at 3 companies, most often at Washington National Opera.
This evening of Julius Eastman at Lincoln Center was so good it hurt
The music was at every point dramatically compelling, without seeming cheap or manipulative.
“What I am trying to achieve is to be what I am to the fullest. Black to the fullest, a musician to the fullest, a homosexual to the fullest.”
Out of a literal perforation in the horizon of the Nebraskan prairie emerges Proving Up, the most convincing case I have ever seen for modern American opera.
anatomy theater, receiving its New York premiere Saturday night at this year’s Prototype Festival, is a conceptual exercise in which nothing, absolutely nothing is left to the imagination.
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