Resisting the recognizable
It was Matthew Jocelyn’s libretto, with its disorientingly deconstructive approach to its source text, that gave Brett Dean’s Hamlet its identity.
11 pieces since 2014 — in 5 roles, at 3 companies, most often at Boston Early Music Festival.
1 piece as Metropolitan Opera — stats above show all coverage for Christopher Lowrey.
View allIt was Matthew Jocelyn’s libretto, with its disorientingly deconstructive approach to its source text, that gave Brett Dean’s Hamlet its identity.
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.