Hear, O Israel
As Messiah season begins, Christopher Corwin reports on two of Handel’s forays into the Old Testament.
11 pieces since 2014 — in 5 roles, at 3 companies, most often at Boston Early Music Festival.
As Messiah season begins, Christopher Corwin reports on two of Handel’s forays into the Old Testament.
His shaved head in striking contrast to his dark beard and glinting eyes, the implacable Tartar conqueror glowers at us from the CD cover, while the uncropped photo of countertenor Xavier Sabata (above) is even more disturbing, featuring his raised fist and forearm tightly wrapped in a leather belt.
A brace of Handel operas at the George Enescu International Festival.
It was Matthew Jocelyn’s libretto, with its disorientingly deconstructive approach to its source text, that gave Brett Dean’s Hamlet its identity.
In the triumphant American premiere of Orlando Generoso at the Boston Early Music Festival last week, the hippogriff was among the many stars of the show.
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