Jakub Józef Orlinski‘s “Stille amare” packed a lot of punch in terms of dramatic intensity.
Once again we got a very frustrating performance of Orlando; this time a beautiful and completely coherent production marred by some sub-optimal singing.
Claus Guth, in a staging of Handel’s Orlando for Theater an der Wien, decided to revisit a PTSD theme.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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