A messy new I puritani at the Met is a historic and historical disappointment.
Someone—a deranged purist no doubt—heckled Javier Camarena from the balcony of the opera house for withholding the infamous high F during “Credeasi, misera.”
Perhaps there are not that many people in the world who would look at a CD cover and think “Oh, goody, goody! A libretto by Eugène Scribe I’ve never come across before!”
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