I have a horrible confession. I’ve always judged the quality of an opera largely on the number of dead characters at the finale.
Katrina Lenk’s Bobbie dutifully channels an assertive, contemporary, sexually confident female persona, but it doesn’t feel fully realized or convincing.
Not a few eyebrows arched on social media when L.A. Opera appropriated the hashtag “Fight like a girl” on street level poster adverts all over town for the revival of their 2013 production of Giacomo Puccini’s Tosca.
A drag queen friend of La Cieca’s — long before she was La Cieca — used to have an expression she to describe the terminally inept. The queen would say, “That guy could screw up a blowjob.” By which she meant, of course, receiving a blowjob, i.e., just sitting there, or standing there or whatever.
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