The best thing I saw in 2025 was Manon
I had the pleasure of attending Manon starring Lisette Oropesa and Benjamin Bernheim at Opernhaus Zürich this past October.
25 pieces since 2014 — in 8 roles, at 6 companies, most often at Metropolitan Opera.
I had the pleasure of attending Manon starring Lisette Oropesa and Benjamin Bernheim at Opernhaus Zürich this past October.
The main reason to see this revival is Benjamin Bernheim’s Duca.
Only the singers, led by Benjamin Bernheim, can salvage a dismal La Damnation de Faust at the Théâtre des Champs Elysées.
The production is at all times visually arresting, but it’s also extremely distracting.
Les Contes d’Hoffmann is something of a puzzle in which some of the pieces are missing and others been altered to fit since Offenbach died before he could complete and revise the work.
When my editor suggested to me a round-up of my favorite recordings of Jacques Offenbach’s Les Contes d’Hoffmann I was très, très, intrigued.
Töt erst sein Weib!” shrieks Anja Kampe as Leonore during the very first moments of Andreas Homoki’s ingenious production of Beethoven’s only opera, Fidelio, at Opernhaus Zürich.
Trove Thursday wades into the murky musicological waters of Offenbach’s Les Contes d’Hoffmann..
It’s not hard not to feel jaded about Romeo and Juliet.
And though I have the gift of prophecy, and understand all mysteries, and all knowledge; and though I have all faith… I am nothing.”
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