Dad, I’m seria Dad, I’m seria

Sir Simon Rattle and the Bavarian Radio Symphony Orchestra strike (almost) all the right notes in their new recording of Mozart’s Idomeneo.

What belongs to us What belongs to us

Kevin Ng sits down with PEN/Faulkner Award-winning novelist and critic Garth Greenwell to talk about sex, queerness, and the “promise of opera.”

Mozart for another time Mozart for another time

Eagerly awaiting Met May Mozart Madness, Chris’s Cache presents a starry quintet of the master’s operas not being done next month.

“Judicious liberality” “Judicious liberality”

On this day in 1883 the Metropolitan Opera presented the company premiere of La traviata.

Sweet home Ithaca Sweet home Ithaca

Monteverdi’s late Homeric masterpiece Il Ritorno d’Ulisse in Patria isn’t often performed in the United States.

Listening to Bernard Haitink Listening to Bernard Haitink

In the month and a half leading to Bernard Haitink’s passing on October 21, my AirPods constantly channeled a musical festival of sorts centered on the Dutch giant’s expansive discography. 

I have a song to sing, O! I have a song to sing, O!

The lovely English soprano Valerie Masterson turns 84 today, prompting Trove Thursday to present her in a pair of her specialties.

For art’s sake For art’s sake

Few operas scream “summertime easy listening” like Pfitzner’s Palestrina—all 225 minutes of itso Trove Thursday presents a performance from the Royal Opera’s 1997 New York visit conducted by Christian Thielemann.

Agrippina Agrippina

“Trove Thursday” presents for the third annual installment of “Handel for my Birthday” a wickedly ideal Felicity Palmer dominating Agrippina.

Drunk in both head and heart Drunk in both head and heart

This week’s “Trove Thursday” offers Benjamin Britten’s Death in Venice featuring Anthony Rolfe Johnson.

Deeds of kindness to review Deeds of kindness to review

For decades thousands and thousands have attended Handel’s Messiah (usually around Christmas or more appropriately near Easter) making it easily one of the most widely known works of classical music.

Brit star! would I were steadfast as thou art! Brit star! would I were steadfast as thou art!

Rule Britannia? Often during the Olympics that famous number from Thomas Arne’s 1740 Alfred echoed in my ears.

Enfin, elle est en notre présence Enfin, elle est en notre présence

Almost exactly one hundred years ago on March 18, 1912, the Metropolitan Opera gave its final performance to date of Armide.