I’m still thinking about Hans Neuenfels’s <em>Lohengrin</em> I’m still thinking about Hans Neuenfels’s <em>Lohengrin</em>

Who are the rats? Why are their tails getting longer? Is Lohengrin a rat trying to free himself from a maze?

Get in the ‘Ring’ Get in the ‘Ring’

Wagner’s Ring is an artistic masterpiece that is peerless in its ability to continually reveal layers of musical, theatrical, and philosophical insight

All is forgiven All is forgiven

Why do we go to the opera? Because the world needs a reminder of the power of forgiveness, particularly in these dark and gloomy times!

Tomb service Tomb service

An outstanding performance of Weber’s Euryanthe to share on “Trove Thursday.”

Salvation for the savior Salvation for the savior

Kaufmann conveys Lohengrin’s immense loneliness in a profoundly moving way. I am happy to report that vocally he sounds completely recovered.

Gold diggers Gold diggers

Das Rheingold is the outlier among the Ring operas, an ensemble work with a fast-shifting plot, animated dialogue, fewer set pieces and less character development.

Call me Madame Call me Madame

“To play La Pompadour—what a delightful task! To be La Pompadour—what a gruesome fate!”

Rodent show Rodent show

This Hans Neuenfels staging for the Bayreuth Festival caused quite a stir at its 2010 premiere, but now, with time and distance, how radical is the production?

Summer knights Summer knights

Richard Wagner believed the key to any legend was contrasting the supernatural with human nature, and showing how the combination had no chance of enduring. In Lohengrin, the title’s character’s insistence on unconditional love and trust collide with the conditional expectations of the real world. The challenge is capturing the tale’s somber majesty without losing…

I know why the caged rat sings

Hans Neuenfels‘ new staging of Lohengrin for Bayreuth is the grimmest version of this work I’ve seen.  Not that this opera is all bright lights and lollipops, but he gave us a particularly dark take on the work, motivated, in part, by Wagner’s writings at the time of the opera’s composition. 

Spy-jo-to-ho!

You really didn’t think your doyenne would let a top-secret dress rehearsal at the Met slip away without getting an exclusive on-the-scene report for you, the cher public? Now, did you? Well, if you did, you’re wrong, because La Cieca’s mole (pictured) has filed the following report: