Salvation for the savior
Kaufmann conveys Lohengrin’s immense loneliness in a profoundly moving way. I am happy to report that vocally he sounds completely recovered.
12 pieces since 2011 — in 5 roles, at 5 companies, most often at Bayreuth Festival.
5 pieces as Elsa — stats above show all coverage for Annette Dasch.
View allKaufmann conveys Lohengrin’s immense loneliness in a profoundly moving way. I am happy to report that vocally he sounds completely recovered.
This Hans Neuenfels staging for the Bayreuth Festival caused quite a stir at its 2010 premiere, but now, with time and distance, how radical is the production?
Richard Wagner believed the key to any legend was contrasting the supernatural with human nature, and showing how the combination had no chance of enduring. In Lohengrin, the title’s character’s insistence on unconditional love and trust collide with the conditional expectations of the real world. The challenge is capturing the tale’s somber majesty without losing […]
Hans Neuenfels‘ new staging of Lohengrin for Bayreuth is the grimmest version of this work I’ve seen. Not that this opera is all bright lights and lollipops, but he gave us a particularly dark take on the work, motivated, in part, by Wagner’s writings at the time of the opera’s composition.
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