No need to grin and bear it No need to grin and bear it

An exciting cast digs their claws into a heady production of La Calisto at the Théâtre des Champs Elysées.

Halle if ya hear me Halle if ya hear me

Bergamo hosts an annual Donizetti festival, Salzburg presents a Mozart-woche every January, and of course there is Bayreuth for Wagner. But Handel gets two festivals every spring, and this year I was finally able to attend one of them.

A three-hour tour A three-hour tour

We may all be armchair Handelians, but some of us are more used to it than others.

Rondo and rondo and rondo we go Rondo and rondo and rondo we go

A convocation of mezzos–and a pride of tenors–produce hundreds of sixteenth notes in a bewitching Rossini showpiece

Mainly in the plain Mainly in the plain

I wonder why many New Yorkers have been led to believe that the only Handel conductor in the world is Harry Bicket.

Castles made of sand Castles made of sand

Jakub Józef Orlinski‘s “Stille amare” packed a lot of punch in terms of dramatic intensity.

Bringing up Babylon Bringing up Babylon

“Trove Valentine’s Day” further stokes Semiramis-fever with another of the celebrated works about the infamous queen: La Semiramide riconosciuta, a superb 1729 opera by Nicola Porpora.

Happy ending Happy ending

This week Trove Thursday endeavors to broaden his exposure with a bubbly performance of Il Marito Disperato starring Sylvia Geszty.

Queen sized Queen sized

The last day of December a parcel arrived in the mail containing an absolute delight: “Semiramide—La Signora Regale.” One of best vocal recordings of 2014, this sumptuous 2-CD set on Deutsche Harmonia Mundi features the marvelous Italian mezzo-soprano Anna Bonitatibus and includes 90 minutes of rarely-heard music written for the legendary Babylonian queen.

Didon’t Didon’t

The theatrical expression “You can’t tell the players without a program” was never more apt than when applied to Opus Arte’s release of Cavalli’s La Didone.

The sun also rises The sun also rises

If you’re the sort who prefers his diva to be an unapproachable sphinx prone to infuriating cancellations while radiating ennui, I suspect that the sunny, hard-working, grateful persona of American mezzo soprano Joyce DiDonato will not appeal to you at all.

A boozy short leave A boozy short leave

After 23 years, the Queen of Carthage has finally made it to Manhattan.

Big love

My tolerance for 17th century opera is generally low, but even I can appreciate the value in an underappreciated composer like Francesco Cavalli.