Anna Caterina Antonacci should have made it to the Met
The one who got away was Anna Caterina Antonacci, a thrilling performer.
71 pieces since 2006 — in 10 roles, at 7 companies, most often at Metropolitan Opera.
10 pieces as Metropolitan Opera — stats above show all coverage for Angela Gheorghiu.
View allThe one who got away was Anna Caterina Antonacci, a thrilling performer.
Christopher Corwin surveys the three Traviata casts — led by Lisette Oropesa, Rosa Feola, and Ermonela Jaho — at the Met this spring.
Next week Puccini’s La Rondine returns to the Met for the first time in eleven years, so Chris’s Cache offers three quite diverse sopranos as Magda: Ljuba Welitsch, Virginia Zeani, and Cristina Gallardo-Domâs.
On this day in 2008 the Metropolitan Opera presented a gala new production of Puccini’s La rondine.
The Met got exactly what it asked for: a safely opulent, resolutely unchallenging Tosca that was far from shabby or little but couldn’t have been less shocking
Angela Gheorghiu‘ s idiosyncratically alluring, sometimes maddening, always fascinating Floria Tosca inevitably became the evening’s unmissable raison d’être.
With help from the Met’s invaluable performance archive, here is a look back at just some of what you could have seen, and perhaps did see, on October 31st through the years at the Met.
After nearly three years and over 20 performances Michael Mayer’s “Las Vegas” production of Rigoletto at the Metropolitan Opera still outrages many.
One of the major complaints about the five year casting system (as well as the shared productions by different companies) is that operatic events are rarely surprises anymore.
Diva Angela Gheorghiu, due onstage at the Met next week for a new production of La rondine, is seen heard here as a remarkably complete package at the age of only 20. The video is dated 1986, four years before the soprano’s professional opera debut. [kml_flashembed movie=”http://www.youtube.com/v/8aBVrSgwp9o” width=”425″ height=”350″ wmode=”transparent” /]
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