It might as well be Einspring
Kate Royal withdrew as Mozart’s Contessa the other night (May 3) in Munich and we were forced to accept as substitute—gosh!—Anja Harteros
6 pieces since 2012 — in 4 roles, at 4 companies, most often at Nationaltheater.
Kate Royal withdrew as Mozart’s Contessa the other night (May 3) in Munich and we were forced to accept as substitute—gosh!—Anja Harteros
The 19th century could not cope with Così fan tutte, ossia La scuola degli amanti (Thus Do They All, or The School for Lovers) with a libretto by Lorenzo da Ponte and music by Mozart, first presented in Vienna in 1790.
Those readers who know my musical tastes will not be shocked to find that I have a somewhat conflicted view of Mozart’s operatic works.
Saturday night’s Rosenkavalier at the Met was an evening of excess — beautiful singing, sensitive acting, elaborate sets, and an unfortunate business that mars Robert Carsen’s otherwise excellent production.
Munich’s Bayerische Staatsoper’s victory lap at Carnegie Hall concluded Thursday night with a sumptuous Der Rosenkavalier spectacularly conducted by Kirill Petrenko
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.