Wide-eyed mania Wide-eyed mania

There is a moment about 75% of the way through the Rome Narrative where you can almost literally hear Tannhäuser’s stomach turn.

Meticulously shaped, beautifully tinted Meticulously shaped, beautifully tinted

Stefan Vinke brings to Tristan an indefatigable heldentenor of sturdy, muscular brilliance and a physical intensity that allowed him to fearlessly traverse this complex character’s broad emotional compass.

Undead of the night Undead of the night

For those pining for Puccini with the Met out of commission. Trove Thursday steps up with the composer’s brief first opera Le Villi with Krassimira Stoyanova, José Cura and Franz Grundheber, led by Simone Young.

Winterstorms that go bump in the night Winterstorms that go bump in the night

A hefty thunderclap shook Tanglewood’s Koussevitzky Shed just as Andris Nelsons raised his baton for the third act of the weekend’s concert Die Walküre.

Out of the shadows Out of the shadows

“Trove Thursday” offers Die Frau ohne Schatten conducted by Georg Solti and also featuring Regina Resnik, Donald McIntyre and the inevitable James King.

War horses War horses

The proceedings took the virtue of longevity too much to heart; the night stretched on interminably. 

Forever, Amber Forever, Amber

My takeaway from this evening is that I want to hear a lot more from Amber Wagner.

Outside this house Outside this house

The 55th New York Film Festival presented the world premiere of Susan Froemke’s marvelous new documentary The Opera House in a special one-time-only screening at the Metropolitan Opera. 

Gewitter und Sturm Gewitter und Sturm

The wild tempest that whipped and drenched the audience as it exited the Met after Tuesday’s season premiere of Wagner’s Der Fliegende Holländer mirrored the finer features of the evening.

The year in Corwin The year in Corwin

New York City isn’t a bad place to live, operatically-speaking.

Mystery date

The moral of Lohengrin is clearly set out: Don’t talk on your wedding night. Even more important, don’t sing. Happily, at Lyric Opera of Chicago, Johan Botha in the title role and Amber Wagner as Elsa of Brabant ignored this advice. 

Opera is a meritocracy

They want it. The career. They want it really bad. So we learn from Susan Froemke’s Metropolitan Opera-commissioned documentary about the participants in the final round of the 2007 MetNational Council Auditions, which is out on DVD this month. Our own doyenne reviewed the film when it was screened as an HD theatrical event, and…