A fine Don Giovanni at Opera Philadelphia rounds out the company’s inaugural season under Anthony Roth Costanzo
Austin Opera’s 2024 production of The Manchurian Candidate proved to be a daring and timely commentary on political power in America, shortly after the 2024 election, just as it had been before the 2016 election.
Edward Hopper’s paintings from the 1930s and 1940s are simply lousy with windows.
In 2022, making Così fan tutte intimate is not a radical act. Making it enjoyable, however, is.
Out of a literal perforation in the horizon of the Nebraskan prairie emerges Proving Up, the most convincing case I have ever seen for modern American opera.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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