The MET Orchestra musicians who, we are assured, ‘love the Metropolitan Opera and want it to succeed” have revised their PPT deck to identify what they claim is an additional $1.2 million in cost savings to the company…
AGMA’s Alan Gordon cries “Havoc!” and lets slip the dogs of war, and by “dogs” La Cieca means “artist managers.” It’s another email, leaked after the jump.
The battle of the management-labor emails continues with Alan Gordon demanding Peter Gelb fire his driver.
Alan Gordon, embedded journalist, reports from inside the first AGMA/Met negotiation session.
The Met’s financial challenges are not meteorological, demographic, or cyclical; they are structural.
parterre box has obtained a memo sent to artists’ managers in which AGMA Executive Director Alan Gordon warns singers contracted to sing at the Met in the 2014-2105 season that due to unpromising developments in upcoming labor negotiations the company may be dark for part or all of the season.
La Cieca’s spy attended today’s confab between George Steel (representing NYCO) and 29 singers and production personnel (AGMA) and 24 orchestra members (Local 802). The spy’s observations after the jump.
AGMA has warned the agents representing Lauren Flanigan and other singers appearing in New York City Opera’s Séance on a Wet Afternoon that a work stoppage on April 30 was a virtual certainty absent the successful resolution of a new collective bargaining agreement.
La Cieca has obtained a copy of the main part of the email sent to AGMA members by the organization’s national executive director Alan Gordon in the wake of yesterday’s abortive meeting with NYCO’s George Steel.
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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