Sick and tired
Before this weekend, I never thought I would want to leave an opera by Act I. The recent production of Puccini’s La bohème at the Lyric Opera of Chicago taught me that there’s a first time for everything.
42 pieces since 2013 — in 22 roles, at 11 companies, most often at Metropolitan Opera.
4 pieces as Mimì — stats above show all coverage for Ailyn Pérez.
View allBefore this weekend, I never thought I would want to leave an opera by Act I. The recent production of Puccini’s La bohème at the Lyric Opera of Chicago taught me that there’s a first time for everything.
This archly traditional production of La bohème was a little shaky on opening night. It nevertheless had a full complement of sterling individual performances to take us on home.
At Friday night’s performance of La Bohème at the Met, the cast seemed to lean into (and gamble upon) the production’s enduring popularity.
Mortality is ugly—it smells, it makes uncomfortable noises, it takes its time; and then there is the overwhelming sense of dread and helplessness.
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