The vivacious MANON! at Heartbeat Opera makes a strong case for the return of opera in translation.
Washington Concert Opera returned on November 24th for its first show of the 2024-2025 season with a production of Puccini’s Manon Lescaut, another (relative) rarity from the composer following last year’s season-closing presentation of La rondine.
The San Francisco Opera, perhaps incidentally, continued their exploration of operas based on literary works by mounting the revival of Giacomo Puccini’s first success, Manon Lescaut.
Anna Netrebko‘s Manon was deeply unforgettable for its wide scope, control, and incredible virtuosity.
Regina Opera almost completely fulfilled its mission Saturday afternoon with their production of Manon Lescaut.
La Cieca would like to introduce a new feature debunking a popular misconception about some aspect of opera. To kick of the series, let us take into consideration Manon Lescaut’s expedition into the “desert” of Louisiana.
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