Recent Stories

The clown of God

Rigoletto is the perfect opera. The story is straightforward and powerful; none of the action occurs backstage or between scenes or twenty-seven years before curtain rise; and the ethical anvil lands not once but twice, on the title character singing, “La maledizione!” The curse!

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La fiamma

Carlo Rizzi conducts a live performance of Respighi‘s final opera from Deutsche Oper Berlin with Olesya Golovneva, Georgy Vasiliev, Ivan Inverardi, Martina Serafin, Doris Soffel, and Sua Jo

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S’amuse-bouche

Lyric Opera of Chicago has opened its new season with a revival of its tried and true 2006 production of Verdi’s sixteenth opera, Rigoletto, one of his most tuneful and dramatic works (I attended the Sunday matinée performance).

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