Recent Stories
The blogger Crew Mantle, who is perhaps best known as that fellow who attends opera performances wearing a frilly Venetian carnival mask, complained earlier this week about something or other (who can say, really?) but more to the point he made a catty observation on the subject of La Cieca’s adored cher public (pictured), and…
In honor of the re-release of Presenting Aprile Millo – Verdi Arias on EMI Classics, La Cieca is delighted to announce a new competition for parterre readers. Details are after the jump.
La Cieca invites the cher public to visit The Little Shop of Arias (your doyenne’s Amazon store) for all those last-minute holiday shopping needs!
La Cieca was just forwarded the following ominous announcement: “The George London Foundation Recital event that was to feature tenor Marcello Giordani and soprano Susanna Phillips at The Morgan Library & Museum on Sunday, December 12, 2010, at 4:30 PM, has been canceled. Mr. Giordani has been hospitalized with a severe case of sciatica and…
La Cieca (not pictured) hopes to hear reactions from the cher public who attended this afternoon’s HD of Don Carlo, a preview of which follows the jump.
“Theater ohne Regie gibt es nicht – das ist ganz einfach dann lediglich Literatur.” So writes Jürgen Flimm in the Berliner Morgenpost: “Theater without direction does not exist; it is simply only literature.” UPDATE: Our Own Batty Masetto has provided a translation after the jump.
Before retiring for the season (because the Met broadcasts start next week, and not because of those rumors of “vocal crises”) our own Betsy (pictured) was quoted as saying, “Haiku, huh? Pretty high-falutin’, if ya ask me. I am but a simple, voluptuous frontier maiden who gets her jollies by reading Bible stories to a…
“The main culprit here is director Giancarlo Del Monaco (and by extension, his enablers Plácido Domingo, Joseph Volpe and Mrs. Donald Harrington), since, like the other four Del Monaco stagings at the Met in the early 1990s, this Fanciulla concentrates on massive naturalistic sets and superficial coups de theater at the expense of subtle characterization…
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Grand Tier Grab Bag
Don’t cry because it’s over
Don’t cry because it’s over
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag hearkens back to the days when Sondra Radvanovsky — who is singing no Verdi at all next season — seemed like the Verdi soprano of reference.
Grand Tier Grab Bag
Rizzin’ to the occasion
Rizzin’ to the occasion
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Parterre Box features the Met’s current Eugene Onegin, Iurii Samoilov, in a performance of Rossini ahead of a return to Pesaro this summer.
Grand Tier Grab Bag
When they go low
When they go low
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Nostalgic for bass month, Parterre Box offers excerpts from two young basses to watch: Giorgi Manoshvili and Patrick Guetti.
Grand Tier Grab Bag
Nailin’ the coughin’
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Grand Tier Grab Bag
Landing the plane
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Grand Tier Grab Bag
Le galant tireur
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
La Cieca’s favorite Puccini opera premiered exactly 100 years ago tonight!
“Next year’s centennial of Tennessee Williams‘ birth got off to an early start Wednesday with a revival of Lee Hoiby‘s Summer and Smoke. But while the Manhattan School of Music’s production was solid, the 1971 opera—based on Williams’ 1948 Broadway flop—hasn’t held up well.” [New York Post]
Here’s that announcement you’ve been waiting for! The Board of Directors of Lyric Opera of Chicago announced today that soprano Renée Fleming has been named Creative Consultant, a first in this company’s history. Simultaneously, she and Sir Andrew Davis, Lyric’s music director, have been elected to the Board of Directors as Vice-Presidents. Ms. Fleming’s appointment as…
Remember that press release that taunted, “Great at push-ups and pull-ups? Do you put your friends to shame at the gym? Come show us what you’ve got!” Well, as you’re probably guessed by now, that audition call was for an opera based on that recent event in American history most closely associated with hot, sweaty…
La Cieca has been alerted to be on the lookout later this afternoon for an announcement that Renée Fleming will take on an important administrative position at Lyric Opera of Chicago. It’s not precisely “directa,” but something more comparable to Placido Domingo‘s erstwhile post at Washington National Opera. Anyway, by this afternoon we’ll have a clearer…
“Drama at the dress rehearsal of Tosca at the Maggio Musicale Fiorentino! This is an open rehearsal because it is a Telethon benefit performance. Ruggero Raimondi, indisposed, is replaced by Giovanni Meoni. Adina Nitescu, the second cast Tosca, is voiceless. The first cast Tosca, Violeta Urmana, cannot go on stage because she doesn’t want to get…
Arthaus Musik has released on DVD a superb 1963 “Historical Studio Production” of Der Konsul, a German language filmed version of Menotti’s 1950 opera, The Consul. It is a dark, harrowing vision of Menotti’s “denunciation of all forms of tyranny”, beautifully sung, superbly acted, and directed with an almost film noir/expressionistic style by Rudolph Cartier.…
This is the way the public used to greet the entrance of a beloved star, and La Cieca is very unhappy to think that she will never hear the like again.
Talk of the Town
The Talk of the Town
A favorite Verdi performance from Tildy Diva
A favorite Verdi performance from Tildy Diva
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
A well-known Met Aïda with a starry cast from 1967 is TildyDiva’s Favorite Verdi Performance
The Talk of the Town
A favorite Verdi performance from Arrigo
A favorite Verdi performance from Arrigo
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
My favorite Verdi performance is Claudio Abbado Don Carlo opening of the Scala.
The Talk of the Town
A favorite Verdi performance from Peter Russell
A favorite Verdi performance from Peter Russell
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
The purely musical performance preserved here is thrilling, ratcheted to a higher intensity than the Deutsche Grammophon studio recording
The Talk of the Town
A favorite Verdi performance from TC
A favorite Verdi performance from TC
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
Victoria de los Ángeles has always been my Violetta of choice, a portrayal that never ceases to move me.
The Talk of the Town
A favorite Verdi performance from Anna Netrebko
A favorite Verdi performance from Anna Netrebko
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
I feel that the best years of Maria Callas’s vocalità, when we hear such a unique freedom and generosity in her singing, were captured in her early recordings.
The Talk of the Town
A favorite Verdi performance from Armerjacquino
A favorite Verdi performance from Armerjacquino
Before the screams of horror begin, it says ‘favorite’, not best.
Before the screams of horror begin, it says ‘favorite’, not best.
Our Own JJ finds the Met’s revival of Fanciulla “…a performance more dutiful than golden.” [New York Post]
“The American Way of Life, lightly satirized, lies at the heart of our production: it is an adventure that takes place somewhere between Wall Street and Hollywood.” Nikolaus Lehnhoff, as can be surmised from these liner notes, makes full use of stereotypically “American” imagery throughout his production of Puccini’s La fanciulla del West: Wall Street…
An appearance by legendary diva Virginia Zeani is but one of the highlights of tomorrow night’s Marcello Giordani Foundation Concert and Dinner.
La Cieca is told that Rufus Wainwright announced tonight from the stage of Carnegie Hall (not pictured) that his maiden oeuvre Prima Donna will be performed by the New York City Opera in 2012. (Photo: Clive Barda)
“A profile of Richard Eyre – ‘All good actors are quick-witted’, 27 November, page 12, Review – mentioned the theatre director’s recollection of having played one of the Three Little Maids in a school production of The Pirates of Penzance. Clarification has since come from the interviewee that in Pirates he played Kate, one of…
La Cieca invites the ragazzi (and ragazze) to gather at The Whisky Per Tutti Saloon for a chat during tonight’s Met performance of La fanciulla del West this evening beginning at 8:00 pm. Details after the jump.
What better omen for the an opening night of La fanciulla del West than the first snow of the season here in New York City?
Incredible, but true, I Puritani had not been performed in Great Britain since 1887 when Glyndebourne decided to stage it in 1960 with the main intention to showcase Joan Sutherland, who had been catapulted to international superstardom one year earlier in the legendary Lucia di Lammermoor at Covent Garden. Furthermore, Vittorio Gui, who had already…
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