“…to a certain degree, good critics are no longer necessary to find. The phrase ‘Everybody’s a critic’ has taken on a universal cast. The internet encourages people to share their opinions with the world. In the theatre, the buzz created by chatroom chatters has become increasingly important to a show’s reputation before it opens. There […]
As the dear Marquise de Merteuil found out to her sorrow, the only worse than not being talked about was being talked about. But worst of all, cher public, is having no place to go for general interest and off-topic conversation. So here you are: your place to promenade during this week’ intermission.
The days are getting shorter, but you can keep the prattle going this fall’s Talk of the Town! You will, you can, you must join in the discussion about: Great mezzo soprano performances (October),
Gained in translation (November), Teleport me back to… (December).
Miss Bobolink accepts the challenge: It’s Margaret-and-Will Day!
Different people look at things from different points of view: a fact so familiar it’s the refrain of one of the songs from the beloved music musical Lost Horizon. So La Cieca will have no quarrels if you don’t agree with her choices of must-see programming for the upcoming week.
“Now that it has become apparent that Robert Lepage‘s production of the Ring at the Met is a fiasco (too soon? Nah.)… well, anyway, since arguably the production is a dreary, unworkable, overpriced mess whose primary (perhaps only) virtue is that it actually hasn’t killed anyone yet, and since, let’s face it, the Machinecentric show turned out to be so mind-bogglingly […]
From the Met press office: “Jay Hunter Morris will sing the role of Siegfried in Siegfried on April 21 matinee and April 30, 2012, and in Götterdämmerung on May 3, 2012. He replaces Gary Lehman who has withdrawn due to illness.”
“Rumors were that an ‘Occupy’-something group would disrupt Wednesday night’s US premiere of Kommilitonen! But the Juilliard Opera performance went off without offstage fireworks, and proved to be a well-crafted and moving meditation on student activism.” [New York Post] (Photo: Nan Melville)
“…Finding my voice w/out pitch, rhythm and the composer’s structure–a new challenge!” [@reneesmusings, Twitter feed for Renée Fleming]
“City Opera Management has passed on an offer from the unions representing its musicians and singers that could have saved the company some much-needed cash. The proposal would have required members of the New York City opera to perform for free in the 2011-2012 season.” [NY1]
More innovative casting from amazon.com.
Cher public, La Cieca must inform you that the president of the John F. Kennedy Center for the Performing Arts, Michael Kaiser (right), is afraid of you (left). “This is a scary trend,” says he. [via Huffington Post, of all places to climb on your soapbox about “serious arts criticism.”]
“Instead of Bess’s leaving their Charleston ghetto for New York by herself, with the crippled Porgy giving chase some time later, the Broadway version would include a newly invented scene in which Bess tries to persuade Porgy to start a new life with her up North. She leaves, followed by Porgy; one final stage picture […]
The Handelian hilarity begins in just half an hour, cher public, so tune in to the Met’s Listen Live page and find your place in the parlor of La Casa della Cieca.
Randal Turner, pictured above, is but one of 33 barihunks featured in—who ever would have guessed?— “the first Barihunks calendar,” just in time for holiday giving and receiving. All proceeds from the calendar, available at the Barihunks site, will be donated to young artist programs. (Photo by Sarah Wells)
A “Machine” that’s been dished and hung out to dry, and a “Magasin” you hang dishes on to dry. Thanks to Zerbinetta for noticing the striking similaries (not to mention that fact that the object that actually does something costs less than half the one that does nothing; a lesson for us all?)
No shortage of interesting guesses, but, alas, none of the cher public were only MontyNostry was able to identify last week’s Regie quiz by the three images chosen. The opera, in fact, was Pikovaya Dama, and that lady taking a nap in her corset in the third photo is none other than the title character. Some […]
Even the shooting stars of the heavens cannot compare to the dazzling spectacle of the cher public (pictured) shooting off their mouths.
Critic Ann Binlot draws some perhaps rather obvious parallels between Satyagraha and the Occupy Wall Street movement in a brief feature on ARTINFO.
Since our usual (and always welcome) catalog of webcast radio opera is temporarily interrupted this week (get well soon, Betsy!), La Cieca offers as an alternative a video presentation that will become available at 2:00 PM EST (20:00 CET): Enescu’s Oedipe, from La Monnaie/De Munt in Brussels.
Which diva, who is known for being always free to speak her mind, insists that the “illness” blamed for her absence from a recent performance was nothing more than a convenient fiction? She continues to harbor a suspicion that those in charge simply didn’t want her to perform.
NYCO’s George Steel has “…a vision of gradually increasing productions, arriving at 10, with 40 performances…. the company would reach the 10-production benchmark by 2025…. Only about 10 percent of revenue this season is predicted to come from the box office, with the rest mainly provided by donors. The ratio does not change much over the […]
The month of operatic novelties continues as La Cieca indicates points of interest during the week beginning November 12.
Bloomberg’s Zinta Lundborg, best known for sharing a single eye and a single tooth with Manuela Hoelterhoff, overlooked the opera on Wednesday night and instead reviewed the PR for Dark Sisters. When a man writes like this, we call it “bitchy,” so when a woman does it, can’t we call her “dickish?”
Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.
