Lulu (some)
Daniel Barenboim does not want to conduct Berg’s Lulu. Or so it seems.
Daniel Barenboim does not want to conduct Berg’s Lulu. Or so it seems.
La Cieca (in larger tiara) thinks it’s high time we all took a break from Regie watching and everything else…
There’s nothing like a good performance of Verdi’s Macbeth and here is proof positive because this dvd is (almost) nothing like a good performance.
Our own Ercole Farnese has alerted La Cieca to a breaking story in Il Secolo XIX: Dessì diserta Genova per amore.
“Since no opera company in the U.S. has quite got up the courage to present a Herheim production, this webcast offers us a chance to sample this director’s unique style of Regie.”
Says the Met’s press office: “Hei-Kyung Hong will sing the role of Violetta Valéry in Verdi’s La Traviata at tomorrow’s performance, replacing Natalie Dessay, who is ill.” (Photo: Marty Sohl)
…and songs from her 2010 indie rock album Dark Hope.
Nicholas Hytner’s much-travelled and well received 1985 production of George Frideric Handel’s 1738 opera Xerxes has been released on DVD from Arthaus Musik, in a performance recorded live from the English National Opera in 1988.
Just in time for the beginning of the first cycle of the Robert Lepage Ring (pictured), Peter Gelb tries to convince Anthony Tommasini that everything is just fine, thank you…
La Cieca has just received a complete report from her spy at today’s open dress rehearsal of La traviata at the Met.
Certain contemporary opera directors have taken to portraying Wagner protagonists as visual artists to better illuminate the characters’ moral and aesthetic struggles.
Since wer’re already in a Massenetesque frame of mind, cher public…
Even if no one guessed the correct opera on our most recent Regie quiz, Our Own Batty Masetto did the next best or perhaps even better thing…
Here La Cieca has scarcely returned home from a very pleasant concert performance of Pipe Dream (feeble show, attractive songs, fine cast) and what should she find in her inbox but an alert from the Playbill Club.
The Wall Street Journal‘s Heidi Waleson is the latest to chime in with the “Manon must be an innocent virginal child” thesis, and La Cieca is uneasy about the implications of this line of reasoning.
Rusalka, in the marvelous production by Stefan Herheim, is now streaming live from La Monnaie.
When the hard-partying heroine of Massenet’s Manon hits bottom, she literally lands in the gutter.
Another grim narrative of the Gelb years, and one I think is generally hogwash, is that the Met has (at least in theatrical terms) lost its way entirely.
If it wasn’t anything special as art or even entertainment, Lyric Opera of Chicago’s recent production of Rinaldo (March 24) does offer an excellent peg on which to hang an argument about the future of opera in America.
La Cieca hears that for coming seasons at the Met, Peter Gelb plans to mix a little religion in with the opera, or non-opera as the case may be.
Which erstwhile mezzo-soprano has had it with all those florid soprano roles she’s recently attempted?
I have been a devotee of Berlioz’s Les Troyens since I first discovered the Covent Garden recording conducted by Colin Davis.
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