Recent Stories

Soho meets Sybil

On Friday, MCal Performances—the performing arts organization based at University of California, Berkeley—presented the US premiere of South African multi-disciplinary artist William Kentridge’s Sybil, with music composed and conceived by Nhlanhla Mahlangu and Kyle Shepherd.

By 1 comment

Lohengrin

“I greatly enjoyed the musical interpretation as a whole, even if I felt that many of the singers seemed a little lost, mismatched, or out-of-place in François Girard’s production.”

By 650 comments

Moody ‘Blue’

Originally scheduled for a D.C. premiere in spring 2020 but thwarted by the pandemic, Washington National Opera was finally able to present composer Jeanine Tesori and librettist Tazewell Thompson’s Blue at the Kennedy Center last Saturday.

By 2 comments

Radically giddy

Verdi’s Falstaff is a brilliantly written opera: funny, with a complex ability to operate across minutely shifting registers of farce and lyricism. It needs, ideally, a production and cast capable of executing both comedy and drama, irony and sincerity—often concurrently. In its current Met revival, happily, Falstaff has everything it needs.

By 47 comments

Sign up for Parterre’s free newsletter.

Exclusive opera reviews, commentary, and top reads
delivered to your email weekly…ish.