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In terms of wild applause, it was Donna Murphy as Aurelia who was front and center, exciting the audience to a fervor with each re-emergence on the stage.
On this day in 1920 the Metropolitan Opera presented the company’s first performance of Tchaikovsky’s Eugene Onegin.
On this day in 1977 soprano Ileana Cotrubas made her Metropolitan Opera debut as Mimì.
“For this evening’s performance of Norma (March 22, 2023), Norma will now be sung by Helena Dix, replacing Sonya Yoncheva.”
On this day in 1990 soprano Karita Mattila made her Metropolitan Opera debut as Donna Elvira in a new production of Don Giovanni.
Following the great success of its new piece The Factotum, Lyric Opera of Chicago returned to the tried and true with the audience-pleaser Carmen in an equally tried and true 20-year old Lyric production that has stood the test of time.
On Friday, MCal Performances—the performing arts organization based at University of California, Berkeley—presented the US premiere of South African multi-disciplinary artist William Kentridge’s Sybil, with music composed and conceived by Nhlanhla Mahlangu and Kyle Shepherd.
Grand Tier Grab Bag
Nailin’ the coughin’
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Rosa Feola, still scheduled for a run of performances as Violetta in New York this spring, is the subject of this week’s Grand Tier Grab Bag.
Landing the plane
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
With Nixon, Klinghoffer, and Andris Nelsons on the mind, Parterre Box offers a recording of the Boston Symphony Orchestra’s recent John Adams outing.
Le galant tireur
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
American tenor Charles Castronovo performs a bit of Weber’s Der Freischütz ahead of the opportunity to hear Berlioz‘s take on the score at Carnegie Hall next week.
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
On this day in 1908 soprano Ellen Beach Yaw made her debut and only performance at the Metropolitan Opera as Lucia di Lammermoor.
We have just read the sad news.
On this day in 1901 the Metropolitan Opera presented the company premiere of Reyer’s Salammbô.
Angela Meade, reportedly flown in at the very last minute to take on the role of Norma, absolutely triumphed, pulling out all the stops to deliver a commanding performance that should, indeed, go down in history.
On this day in 1884 the Metropolitan Opera presented its first performance of Meyerbeer’s Les Huguenots.
On this day in 1993 Tiziana Fabbricini made her Metropolitan Opera debut as Violetta.
On this day in 1967 the Metropolitan Opera presented the world premiere of Marvin David Levy‘s Mourning Becomes Electra.
Talk of the Town
A favorite art song performance from Rowna Sutin
With youthful abandon, Ms. Feola interprets an old chestnut.
With youthful abandon, Ms. Feola interprets an old chestnut.
A favorite art song performance from Andrew Lokay
Mezzo-soprano Jamie Barton’s rendition of Jake Heggie‘s “Winged Victory: We’re Through,” vividly captures the song’s humor and energy.
Mezzo-soprano Jamie Barton’s rendition of Jake Heggie‘s “Winged Victory: We’re Through,” vividly captures the song’s humor and energy.
A favorite art song performance from Jamie Barton
This prompt of “favorite art song performance” seems just about as broad — and almost silly — a question as asking a painter what their favorite color is.
This prompt of “favorite art song performance” seems just about as broad — and almost silly — a question as asking a painter what their favorite color is.
A favorite art song performance from Leyla Gender-Bender
While I like both Erna Berger and Maria Stader’s versions, Erna Berger brings more drama to the rendition.
While I like both Erna Berger and Maria Stader’s versions, Erna Berger brings more drama to the rendition.
A favorite art song performance from Erika Baikoff
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
What I love most about Sergei Rachmaninoff‘s “Lilacs” is how beautifully it captures the quiet intimacy at the heart of art song.
A favorite art song performance from Last Castrato
Rosa Ponselle is the singer who had it all.
Rosa Ponselle is the singer who had it all.
Originally scheduled for a D.C. premiere in spring 2020 but thwarted by the pandemic, Washington National Opera was finally able to present composer Jeanine Tesori and librettist Tazewell Thompson’s Blue at the Kennedy Center last Saturday.
Mezzo-soprano Fleur Barron showed herself unafraid to move the expectations of classical music forward, linguistically, thematically, and culturally.
Protean Anna Netrebko has booked her first performances of Ponchielli’s La Gioconda .
On this day in 1991 soprano Renée Fleming made her Metropolitan Opera stage debut as Countess Almaviva.
In Richard Strauss’s Arabella, the heroine is consumed with finding the right man—der Richtige—but who is the right Arabella?
There’s nothing unusual about casting a woman in Solomon‘s titular role.
On this day in 2007 the Metropolitan Opera presented a new production of Die Ägyptische Helena.
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