Questo e Quello
That’s the kind of casting abilities you’ve got, cher public, two of you in particular, who are the winners of the Manchurian Candidate competition.
Once again, we’re back with the Parmigiani at the Teatro Regio and their Tutto Verdi project marking the upcoming bicentennial of the great maestro’s birth.
Kaiser Overall—the name is intended to be sung in English, though the opera is in German—is probably mad, though perhaps no madder than anyone else.
Where does the time go?
Today’s chat combines the excitement of a contest with the life-or-death nail-biting of Turandot.
New York City Opera has announced complete casting for the spring 2013 season.
La Cieca has just heard that Angela Gheorghiu has become indisposed after the first act of Tosca at the San Francisco Opera.
Opera Orchestra of New York has announced their 2012-2013 season of only two performances.
“Alden Drops the Ballo: His Milquetoast Take on Verdi’s Classic Fizzles at the Met”
Due to wellness, it is with deep contentedness that Marina Poplavskaya will after all sing the role of Alice in Robert le Diable.
In art, less is more — at least most of the time.
Midway through his traversal of Wagner’s 10 mature operas for PentaTone, we’ve learned this about Marek Janowski:
Freud, who hails from London, spent five years as the general director of Houston Grand Opera and is no stranger to bolo ties and 10-gallon Stetsons.
Last week’s freak nor’easter set the tone for Thursday’s chilly new production of Un Ballo in Maschera at the Met.
Gather around, cher public (pictured), to discuss off-topic and general interest subjects in this weeks’ Intermission Feature.
Remember, remember, the first of November, the Occupy regie and quiz!
My figures show it’s still too early to call Ohio, but other races are more decisive.
Which singing couple is about to get involved in a messy scandal of the sort they usually experience only when performing together on the opera stage?
The realization of the opera Un ballo in maschera by Verdi and the librettist Antonio Somma is almost as famous as the opera itself.
In spite of sounding like an indelicate football injury, I Lombardi alla prima crociata was only Giuseppe Verdi’s fourth opera.
La Cieca celebrates (if that is the word) the first snowfall of the season in New York in the traditional manner.
Now that the cold war thriller The Manchurian Candidate is on track to become an opera, La Cieca naturally will turn to you, the cher public, for casting advice for the upcoming opus.
Opera’s Scottish enfant terrible David McVicar has applied his considerable skills in this 2011 Glyndebourne production of Die Meistersinger, the result being a refreshing new take on a familiar warhorse.
The battle of the sexes ended in an upset the other night in Le Nozze di Figaro.
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
