Podcast – Chris’s Cache
Operatic gems, secret live recordings, and honestly a little filth… from the collection of Christopher Corwin.
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“What a day, what a day for an Auto-da-fe!” and it’s also always a good day for Candide, so Chris’s Cache presents a pirate recording of a 1971 staging starring Mary Costa, Frank Porretta, and William Lewis.
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Chris’s Cache offers three striking interpretations of another Gluck masterpiece Alceste from Janet Baker, Anna Caterina Antonacci, and Véronique Gens
Chris’s Cache features a pair of performances of Iolanta with Tamara Milashkina and Asmik Grigorian
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In advance of her Metropolitan Opera debut, Chris’s Cache showcases Asmik Grigorian’s versatility with broadcasts of Halévy, Giordano, and Korngold
Chris’s Cache offers three more street-singers: a live Renata Tebaldi performance–without Franco Corelli; Tebaldi cover Milka Stojanovic with Corelli; and Ghena Dimitrova’s second local appearance in which she was menaced by Piero Cappuccilli
Having relished last week’s American Symphony Orchestra “once-in-a-liftetime” Gurrelieder (my third, in fact), I wanted to keep enjoying Schönberg’s lush early epic.
Next week Puccini’s La Rondine returns to the Met for the first time in eleven years, so Chris’s Cache offers three quite diverse sopranos as Magda: Ljuba Welitsch, Virginia Zeani, and Cristina Gallardo-Domâs.
Chris’s Cache offers a Leoncavallo double-bill: Aprile Millo in Zazà and Jon Vickers and Carol Vaness in Pagliacci
Chris’s Cache previews the Met’s imminent revival of Roméo et Juliette with three pairs of doomed lovers
Chris’s Cache celebrates Ewa Podles‘s long connection with Handel by featuring her in three complete, decidedly un-HIP operas spanning over twenty years
Three live recordings of Verdi’s fateful opera: one featuring a cast I heard in the distant past, another from Paris just over a year ago with a cast completely different from the Met’s, as well as the complete St. Petersburg version
The new Opera News section of OPERA magazine already seems to be getting smaller, but the March issue features a long interview with Carol Vaness about Donna Anna.
A trio of live Bellini recordings featuring Mirella Freni, June Anderson, and Angela Meade in the title role
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