la cieca ci guarda
There were a disproportionate number of young people at the Met today—even younger than me, which is really young. That made me happy and smile while filing in line to enter the auditorium. Hopefully this is the next generation of undying fans and queens about to plunge into a “new” world of opera spearheaded by…
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La Cieca has been alerted to be on the lookout later this afternoon for an announcement that Renée Fleming will take on an important administrative position at Lyric Opera of Chicago. It’s not precisely “directa,” but something more comparable to Placido Domingo‘s erstwhile post at Washington National Opera. Anyway, by this afternoon we’ll have a clearer…
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“Drama at the dress rehearsal of Tosca at the Maggio Musicale Fiorentino! This is an open rehearsal because it is a Telethon benefit performance. Ruggero Raimondi, indisposed, is replaced by Giovanni Meoni. Adina Nitescu, the second cast Tosca, is voiceless. The first cast Tosca, Violeta Urmana, cannot go on stage because she doesn’t want to get…
After a rather long afternoon at the Met, a member of the cher public writes: “The Don Carlo final dress was worth catching.” Our spy has more to say after the jump.
On the way to the OONY comeback concert at Carnegie Hall last night, La Cieca ran into an old, old, old and utterly anonymous friend who had recently had a tête-à-tête with an associate of that publicist who recently parted ways with that celebrated Opera MILF. Well!
La Cieca hears that Placido (“Simon Boccanegra is the only baritone role I’m interested in singing”) Domingo is going to expand his repertoire yet again, to Athanaël in Thaïs, sometime in 2012. The role after that, La Cieca hears, will be eponymous, but as of now the title is known to only a few chosen…
There is no peace for Verdi in Parma. As a second production of its Verdi Festival the Teatro Regio presented I vespri siciliani on October 10, starring Giacomo Prestia as Procida, Leo Nucci as Monforte, and the lovebirds Daniela Dessì and Fabio Armiliato as Elena and Arrigo.
Kirill Petrenko will be the new General Music Director of the Bayerische Staatsoper, succeeding Kent Nagano on September 1, 2013 for a five-year contract. [Bayerische Staatsoper]
“Das neue Traumpaar” offer a duet from a their recent joint role debuts.
La Cieca has just been informed that Anita Rachvelishvili will make her Met debut in the title role of Carmen on January 5, 2011, replacing Kate Aldrich, who has withdrawn preggers. La Rachvelishvili also sings Carmen on January 8 and 13. Wait, there’s more!
The fact: the rainbow bridge worked tonight in Rheingold at the Met, and the effect was “spectacular.” (All right, that last part was an opinion. But, moving on.) The rumor: “everyone” at the Met knew “well in advance” that the rainbow bridge would not be attempted at Monday night’s opening performance.
Readers of parterre.com are, La Cieca calculates, about six weeks ahead of the curve, so your doyenne figures you are ready to hear what will likely be a major scoop in the New York Times a few days prior to Halloween. It’s about the technical rehearsals for the Met’s season opener Das Rheingold, and what is…
When Peter Gelb really wants an artist at the Met, he pulls out all the stops. La Cieca hears that Bryn Terfel, on his way back to New York after a brief visit with his family back in Wales, arrived at the airport in the UK this morning only to discover he left his passport…
Finally, the background to the story that rocked the operatic world earlier this summer. Peter Stein withdrew from the Met’s Boris Godunov “because he felt offended by his treatment at the United States Consulate in Berlin when he applied for a work visa and by a lack of sympathy from Peter Gelb, the Met’s general…
La Cieca’s spy tells her that Maestro Levine returned to the Met today for a coaching session with the cast of Das Rheingold.
La Cieca hears that Susan Neves has joined the cast of Washington National Opera’s Un ballo in maschera to sing Amelia in two performances, and Tamara Wilson will sing two additional performances. The American sopranos take over dates held by Irène Theorin.
La Cieca hears that Renée Fleming will yet again grace the stage of the Metropolitan with a new role in 2015. The production will be staged by Susan Stroman.
La Cieca is told that at least three productions at the Met this year will be shorn of an accustomed intermission: Simon Boccanegra, The Queen of Spades and La traviata will all be done in “two-act” versions, each with but a single interval.
As perhaps you know, if there’s anyone Norman Lebrecht hates more than opera singers and superstar conductors, it’s artists’ managers. So imagine his glee when he got his mitts on an email “leaked… in the dark of night” detailing “the balance of terror that prevails between a soloist and the person who supposedly has his…
It’s just a little over a month until “The Season” starts here in New York — though La Cieca hears that there is opera done elsewhere and she hopes someone will keep her up to date on this trend — but, anyway, what with the Season starting and the glittering crowds and shimmering clouds in…
La Cieca hears that the Hildegard Behrens Foundation will be launched today, the first anniversary of the death of the German dramatic soprano. First activities of the group will include bestowing grants on the Metropolitan Opera Lindemann Young Artist Development Program and the YOA Orchestra of the Americas.
La Cieca hears that the Met has just freed up about 60 storage containers in their production storage facility in New Jersey, disposing of 14 old productions including such venerable classics as the Robert O’Hearn Hansel and Gretel, the Beni Montresor Gioconda and the Franco Zeffirelli Falstaff.
La Cieca hears that a big axe just fell in the marketing department over at Sterling Cooper Draper Gelb. Look for a new director to be hired from outside the company.
La Cieca hears that Opera Orchestra of New York’s 2010-2011 season will represent a step up from last two years of stopgap recitals as well as a step back from the three-opera seasons of yore.
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