Feature
Opera Parallèle is revisiting Stewart Wallace and Michael Korie’s Harvey Milk during Pride Month. It’s “not a reaction,” but it couldn’t be more timely.
A new opera company in Hell’s Kitchen is preparing for its first performances of Tosca – and it’s putting the experience of chronic illness front and center.
An 1887 French grand opera by a Black American composer receives its world premiere with Opera Lafayette and OperaCréole next week and is raising questions about the potential of “restorative justice” in the operatic canon.
Judith Malafronte on firebrand pedagogues, the old-school singing manual revival, and what many voice teachers are getting wrong.
When asked to express some “thoughts” here about Verdi’s Il trovatore, my immediate thought was “hmm… not a lot to think about there.”
Judith Malafronte sits down with bass David Leigh who debuts as Rocco in Washington National Opera’s production of Fidelio next week
Sylvia Korman previews The Listeners, the latest and most ambitious opera by Missy Mazzoli and Royce Vavrek that opens this week at Opera Philadelphia with tickets for just $11
Andrew Lokay discusses the real world of warfare behind Jeanine Tesori and George Brant‘s Grounded, which opens the Met season on Monday.
Michael Anthonio crunches the numbers on San Francisco Opera’s recent seasons and goes straight to the top to General Director Matthew Shilvock for a look at where SF Opera has been and where it’s headed
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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