La Cieca
Our Own JJ braved the elements for New York City Opera’s outdoor concert of Magic Flute. [NYP]
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Despite a few doubters among you, our most recent Regie quiz was (marginally) guessable, as Doug D. demonstrated. The opera is indeed Cavalli’s Eliogabalo, and it looks as if a good time was had by all at Grange Park Opera. These people too look like they’re having a hell of a time. But what (relatively…
La Cieca has found further proof that time is cyclical. Presenting, from over 60 years ago, a film documentary about a production of Carmen that has not taken place yet — if indeed it ever will!
[La Cieca is happy to present a guest review by Our Own Lindoro Almaviva.] Cincinnati Opera makes a good case for the 4 act version of Don Carlo. I think it is a great idea that they used projected titles to give us the background of the opera (since we lose the Fontainebleau scene). This…
Don’t expect much in the way of art at NYCO for the next few seasons, but, on the bright side, George Steel probably has sufficient water-treading skills to avoid drowning. [NYT]
The fucking genius of Peter Gelb just opened a new and heretofore unexpected orifice. Encouraged by the success of the Met’s HD movie broadcasts, The National Theatre in London earlier this evening telecast its production of Phèdre starring Helen Mirren into 300 cinemas around the world. Photo by Catherine Ashmore. [One Cold Hand – NYC]
Among the glitterari at last night’s opening of “a Madison Avenue pop-up thrift shop benefiting the renovated New York City Opera” were Austin Scarlett (Project Runway) and Alex McCord (Real Housewives of New York City). As they (and others less celebrated) perused the gently-used frocks, George Steel discussed tube steak with the Wall Street Journal:…
“You will forgive me my poor dramatic skills. I have only been performing the role of Violetta for six years!”
Divine camp from the turn of the century. [kml_flashembed movie=”http://www.youtube.com/v/KDJ5X-hdWEM” width=”425″ height=”350″ wmode=”transparent” /]
La Cieca has obtained a copy of the main part of the email sent to AGMA members by the organization’s national executive director Alan Gordon in the wake of yesterday’s abortive meeting with NYCO’s George Steel.
La Cieca’s insider whispers (or, more accurately, shouts): “AGMA walked out of the meeting on Monday. They refused to negotiate. Gordon said Steel‘s demands were more destructive then expected, worse than 802’s.” The New York City Opera season is scheduled to begin in 135 days.
“Il trovatore was premièred in January 1853 and Traviata a couple of months later in March. The wonderful duet at the end of La traviata Act I brings to mind clearly the ‘Miserere’ from Act IV Il trovatore, and when Alfredo sings ‘Dei miei bollenti spiriti’ there is something of ‘Di quella pira’ about it…
Live, from “The Concerthall of Hoorn,” which sounds like a performance venue somewhere in Middle Earth, it’s the return of The Family Pondman! This time Walther and Lonne do a Siegmund/Sieglinde variation on the first act of La bohème.
Antonina (Leyla Gencer) regrets the error of her ways in the third act of Donizetti’s Belisario, the latest episode of Unnatural Acts of Opera.
An entirely new plot element in a Shakespeare text? The story turns on a dispute between Oberon, the manipulative king of the fairies, and Tytania, his willful wife, over the guardianship of a changeling boy. Oberon badly wants that boy as his henchman. But Tytania, who has seen the brutal way her husband sometimes bullies…
Our Own CerquettiFarrell guessed correctly, if cautiously that all those people in short pants were doing Salome. To be precise, it’s a Christopher Alden production for Saarbrücken. Next up, an opera that looks like it might be Salome , but it’s not. So what is it? (Remember, cher public, no blurting! If you have seen…
An old clip, but worth reviving: Elizabeth Vidal sings “La méditation de Thaïs.” [kml_flashembed movie=”http://www.youtube.com/v/CM2IYVN-ckY” width=”425″ height=”350″ wmode=”transparent” /]
“The acoustics are wonderful, but it may be the only opera house in the world where Rigoletto’s vows of revenge are punctuated by the raucous cries of seagulls.” [Christian Science Monitor]
“Journalist, screenwriter and producer” Patricia Zohn gives San Francisco Opera’s Traviata a quick once-over over at Huffington Post. As may be expected, there’s little of depth in the post proper: “Vi makes mincemeat out of the heart of Alfredo, the scion of a wealthy family — and then compounds the debris by actually falling in…
[This caption by Kernita Makilla replaces La Cieca’s much inferior “psst… sandbag… SANDBAG!” The photograph by Ken Howard is of Christopher Feigum as Figaro, James Westman as Beaumarchais, and Dorothy Byrne as Susanna in Opera Theatre of Saint Louis’s 2009 production of The Ghosts of Versailles by John Corigliano and William “It’s because I’m gay, isn’t…
The titian-tressed triller was born 106 years ago today in Philadelphia; appropriately, on Arch Street. Miss MacDonald is heard here in that great, great French grand opera Tsaritsa! [kml_flashembed movie=”http://www.youtube.com/v/a1rI8hcBgIw” width=”425″ height=”350″ wmode=”transparent” /]
A new study suggests that milder forms of intellectual property piracy (e.g., file sharing) seem to have no ill effects on the lively production of books, films and music. [NYT]
“I don’t see how they could not close…There is a slight chance that they can remain open, but where would the money come from?” That’s Robert W. Wilson, former New York City Opera chairman, deftly nabbing the takeaway quote from Robin Pogrebin‘s NYT analysis of what went wrong for the company. And wait until you…
Rufus Wainwright previews an aria from his opera Prima Donna: “Les feux d’artifice t’appellent: descends dans la rue!”
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