La Cieca
From the Metropolitan Opera, Yannick Nézet-Séguin conducts Leah Hawkins, Karen Cargill, Matthew Polenzani, and Dmitry Belosselskiy in Verdi’s Requiem
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Yannick Nézet-Seguin conducts Ryan McKinny, Joyce DiDonato, Latonia Moore, and Susan Graham in the season opening night and Metropolitan Opera Premiere of Jake Heggie and Terrence McNally’s Dead Man Walking.
“Mr. Okulitch and Mr. Hardy have matching black briefs over which they each wear half of a single suit: Giovanni, the jacket; Leporello, the pants. When they switch identities, they trade suit parts, again a vivid metaphor, and made more striking because both singers are so buff.” [NYT]
The Metropolitan Opera commission Daedalus by Osvaldo Golijov seems to have slipped through the cracks, for now at least. According to the virtually always accurate Met Futures by Brad Wilber, the premiere of the work, planned for the 2011-2012 season, is not going to take place.
“The answer, he decided, was obvious: an opera. In typical Burning Man fashion, as he was standing in line at the port-a-potties, describing this epiphany to…” [CNET]
La Cieca is delighted to wake up to some wonderful, uplifting news. No, not about the balloon boy; turns out that was a hoax anyway. This “rescue” is for real. Amore Opera, successor to downtown institution Amato Opera, will present its first full production, Puccini’s La Bohème opening on Friday, December 11th at the Connelly…
Congratulations to our two winners of the Rosenkavalier essay contest. The lovely rysanekfreak came in first in the “Ja, Ja” division, while Tristram Minstrel was judged the most astute of the many “Nein, Nein” sayers. Our rysanekfreak will be sent the new Decca DVD of the opera starring La Fleming, Sophie Koch, Diana Damrau, Franz…
According to a press release from the Met, Fabio Luisi (left) will conduct all performances of Hansel and Gretel this season replacing Andrew Davis (not pictured) who has withdrawn for personal reasons.
“She was pretty but blank onstage back then, but Tuesday night’s opening performance found her too far the other direction, transforming the ironic, moody aristocrat into a Lifetime movie drama queen.” [NYP]
“Tenor Domingo collects opera gong” [BBC News]
Maria Gavrilova jumps in as Tosca tonight at the Met, replacing the ailing Karita Mattila.
Whenever La Cieca (center) feels afraid, she doesn’t just hold her head erect or whistle a happy tune (though she’s been known to do both on occasion), she reminds herself, “You know, things could be a lot worse than what they are!”
Tonight’s chat during tonight’s season premiere of Der Rosenkavalier from the Met begins at 7:15 pm.
In the comments section of this post, you are invited to offer your opinion on why Renée Fleming‘s broadcast performance (as heard tonight, October 13) strikes you as a great portrayal of the Marschallin.
In the comments section of this post, you are invited to offer your opinion on why Renée Fleming‘s broadcast performance (as heard tonight, October 13) strikes you as not a great portrayal of the Marschallin.
“Unfaithful lovers, sequined jumpsuits and giant silver dildos …. neon wigs and abundant confetti…. Filled with sexual innuendo, laughable levels of innocence and more than a few macho groin thrusts…” [Star Observer]
Oh, La Cieca just hates herself when she get a detail wrong. It seems that languid wunderkind Rufus Wainwright will not be performing his hit aria “Les feux d’artifice” at the gala opening of the New York City Opera saluting noted teabagger David H. Koch. The air will be performed by an actual operatic soprano,…
The legendary singer was born October 12, 1935.
Which blotto basso had a hell of a time in the first part of that French opera, stumbling, forgetting words, and even losing his voice temporarily? Fortunately, after an intermission featuring hot coffee, a cold shower and a stern tongue-lashing from management, he was reborn as the superb singing actor we all know and love…
La Cieca congratulates matto per la lirica for identifying our most recent Regie quiz: Offenbach’s L’Ile de Tulipatan — as performed at the Wiener Kammeroper, with Waut Koeken directing. And now for something completely different.
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