Patrick Mack

Patrick Mack starting listening to opera as a teenager to the total bewilderment of his rock and roll mother. He sang leading roles in the opera departments of Santa Monica College and UCLA and for two years in the Baltimore Symphony Chorus. In 2003 he joined the tenor section of The Verdi Chorus which has been giving young singers paid performance opportunities for over 30 years. He has served on their Board of
Directors since 2012 and handles their publicity, marketing, and Facebook page. Patrick is a luxury cruise consultant with All-Travel in
Los Angeles and was honored as one of the Top 25 Travel Agents in the country in 2015 by Travel Agent Magazine. Having weaned himself from an
early age on the musical opinions of Andrew Porter in the New Yorker, he has been wielding the critics pen on Parterre.com since 2011.
His singing of the national anthem has never failed to impress those standing closest to him at any public event he attends.


Flame war Flame war

The role debut of a world-class singer is always a time of great anticipation, hopefully to be followed by celebration, if not unbridled jubilation.

on November 12, 2014 at 9:30 AM
Panning for gold Panning for gold

Giacomo Puccini’s horse-opera version of “Snow White and the Seven Dwarfs,”  La Fanciulla del West, based on David Belasco’s play, The Girl of the Golden West, enjoyed the status of a curate’s egg for quite a while.

on October 04, 2014 at 8:00 AM
West coast story West coast story

I fall on my knees before this new live recording issued by the San Francisco Symphony.

on September 09, 2014 at 2:35 PM
Past perfect Past perfect

With much laying-on of fanfares and gift boxes our friends at Decca Classics have unleashed Luciano Pavarotti Edition 1: The First Decade on a weary and satiated public.

on August 26, 2014 at 8:20 AM
The lion in stereo The lion in stereo

A great man has passed and our consolation is that so much of his art has been preserved for us on recordings.

on August 06, 2014 at 8:00 AM
Fairy tale Fairy tale

“Conduct Salome and Elektra as if they were by Mendelssohn: Fairy music.” Seriously, how often has that happened?

on July 25, 2014 at 8:00 AM
Gelt trip Gelt trip

With the help of our friends at ArtHaus Musik, the Deutsche Oper Berlin have really been emptying out their archives and that’s certainly all for the good.

on May 26, 2014 at 8:15 AM
Als wären Sie die Statue auf Ihrer eigenen Gruft Als wären Sie die Statue auf Ihrer eigenen Gruft

I am certain that we Parterrians are a very literate, even literary, group.

on May 16, 2014 at 7:45 AM
Stairway to heaven Stairway to heaven

Once again, beloveds, we approach the Milanese shrine that simultaneously attempted to  cultivate and destroy the career of Maria Meneghini Callas.

on April 27, 2014 at 9:17 PM
No business like snow business No business like snow business

Pytor Ilyich Tchaikovsky’s Eugene Onegin is his masterwork and its themes of social convention and unrequited longing surely struck a deep chord in a composer who, in late 19th century Russia, was gay and had to conduct himself carefully.

on April 07, 2014 at 2:04 AM
The cup runneth over The cup runneth over

I am grateful to Sony for this new release of the Metropolitan Opera’s latest production of Parsifal and I hope I’m not the only one who discovers what a rich experience this opera can be because of it.

on March 05, 2014 at 1:54 AM
New faces New faces

Mr. Ian Rosenblatt is a London solicitor and patron of charitable causes in Britain primarily focused on classical music.

on February 10, 2014 at 12:13 AM
Habit, forming Habit, forming

I’ve always had a fondness for Giacomo Puccini’s Suor Angelica and apparently so did he since he often referred to it as, “among the finest of my children.”

on January 21, 2014 at 9:00 AM
Le jazz tiède Le jazz tiède

The crossover album: a hint that that an artist has either exhausted all the repertory at her command and owes her record label a new release or that her waning vocal resources really shouldn’t be taxed much further than an octave.

on January 06, 2014 at 11:10 AM
Bowled over Bowled over

I never thought I’d see the day when Giuseppe Verdi and Benjamin Britten would battle it out for musical superiority but that’s exactly what happened in Los Angeles this year.

on December 30, 2013 at 7:38 AM
Pick your poison Pick your poison

I think we’re all aware by now of the wicked libel that the French dramatist Victor Hugo concocted about the fair Lucrezia Borgia with his depiction of her as a murderous virago.

on December 01, 2013 at 12:05 AM
Show business Show business

Now that many of us are leaping to the altar unfettered by those pesky legalities of yore the problem of what to put on the bridal (or groomal) registry has become an atrocious head scratcher.  So many of us have had housekeeping set up for so long now that we really don’t want for anything.…

on October 27, 2013 at 6:39 PM
Drama queen Drama queen

Say what you will about Naxos, but this company has created a sizeable number of recordings of works on the periphery of the standard repertory and have managed to document quite a few interesting singers in the bargain-and at bargain prices.

on October 04, 2013 at 11:20 PM
Shadows on the silver screen Shadows on the silver screen

Strange as it is to encounter two such disparate works presented with the identical production concept, it’s odder still that the opera you’d think would be the slam dunk is anything but.

on September 09, 2013 at 9:37 AM
A Faustian bargain A Faustian bargain

What we have here is the grandest opera never heard.

on August 21, 2013 at 8:00 AM
Fire and water Fire and water

I’ve long been a fan of Kenneth Branagh, even though this fandom feels a bit like being a camel in the desert.

on August 08, 2013 at 12:22 PM
Run of the “Miller” Run of the “Miller”

The Tutto Verdi series from the Teatro Regio Parma may be said to relate to the great Giuseppe Verdi’s oeuvre as the burning of the library at Alexandria did to classical literature.

on July 02, 2013 at 3:30 PM
Female on the beach Female on the beach

Christian Thielemann has proved himself to be the preeminent Strauss interpreter of the current generation of conductors and he’s in striking  form here.

on June 22, 2013 at 6:01 PM
Rogo for it Rogo for it

In an ever-changing world it’s comforting to know that the Parmigiani of the Teatro Regio continue their campaign through the Verdi canon not unlike the Allied Forces’  rout of the Germans at the beginning of 1945.

on June 10, 2013 at 11:09 PM
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