Cher Public

Patrick Clement James

Patrick Clement James is a writer and teacher based in New York City. His love of opera began in high school, leading to studies in vocal performance at the Manhattan School of Music. He currently studies English literature as a Ph.D. student at the Graduate Center, City University of New York, and he teaches at Brooklyn College. As a writer, he is particularly interested in the ways that opera participates in the larger contexts of history and culture.

American beauty

It’s surprising to read that, as of this writing, La fanciulla del west has only had 105 performances at the Metropolitan Opera.  Read more »

Mortal raises veil from before goddess’s face

How to describe Anna Netrebko’s performance in Aida without slipping into hyperbole? Impossible, but I’ll try.  Read more »

Painful progress

A distinctly American brand of vulgar showmanship

The world is always falling apart. That’s just one of many lessons surfacing in Tony Kushner’s epic Angels In America: A Gay Fantasia on National Themes.  Read more »

Speaking ill of the dead

Plácido Domingo’s conducting reduced the score’s urgency to the lethargy of a jellyfish.

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The perfect use of an imperfect medium

Carousel is receiving a Broadway revival in a simple, cautious production that still manages to pack an emotional wallop.

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I want magic

Why, only now, Cendrillon is having its premiere at the Met is a puzzling question.

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Cabal me by your name

It’s fortunate that the Met’s production of Luisa Miller featured the incomparable Piotr Beczala in the role of Rodolfo.

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Italian dressing

Lucia di Lammermoor, a bloody story of a young woman’s mental degeneracy amidst feuding families, remains Donizetti’s most popular exploration of the landscape and culture of Britain.

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